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Run the industry’s leading tools together at great savings. New Roto, Tracking & Paint Bundle! We now offer Mocha Pro + Silhouette together. When you apply the Scene Removal Mask to a clip in the primary storyline, the background appears black in the viewer.You can give the isolated foreground subject a new background by compositing (combining) the masked clip with a separate background clip.
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Includes Particle Illusion node for Silhouette Includes Sapphire effect nodes for Silhouette The illustration below shows an example of a color range selection in a 3D color model. A color mask is defined by a specific color range, so only areas in your video clip that contain colors within the range are part of the mask. Node-based compositing with color correction and image processing filtersĪdvanced paint tools with AutoPaint and detail separation Edit color masks in Final Cut Pro for Mac. In Final Cut Pro for Mac, change the color and opacity of gradients applied to selected items such as titles and generators. Helpful Previous Intro to the gradient editor Next Reverse gradient direction. Recommended for video editors (Media Composer, Premiere Pro, VEGAS Pro) Remove a color or opacity tag from the gradient. Standalone application for macOS/Win/Linux The tracking, masking, and color selection tools in Resolve have always impressed me. Mocha also exports native tracking, spline and 3D data in a wide variety of host formats:ġRequires the free 3D Track Importer plug-in for After Effects ( download)ĢRequires the free Mocha Lens Importer plug-in for After Effects ( download) I love Apple’s Final Cut Pro for editingin fact I wrote a piece on how to edit faster in FCP a while backbut I’ve always sent my edits over to DaVinci Resolve for color grading. Running as standalone application and plug-in, Mocha can render tracked composites, tracked inserts, masks, object removal, stabilization, reorientation and lens correction. Magnetic Spline & Edge Snapping Roto Tools Insert Module for Match Moves w/ Mesh WarperĮxport track, roto & 3D data to wide range of hosts (see exports chart) OFX: Autodesk Flame, Boris FX Silhouette, Foundry NUKE, Blackmagic Fusion, VEGAS Pro, HitFilm Pro, SGO Mistikaįor a detailed list of tracking, mask & 3D data exports, view the exports chart. Node-locked or Cross-platform, floating license.įor enterprise floating and render licenses, contact us.Īdobe After Effects & Premiere Pro CC 2014-2023 Monitor: Minimum resolution 1200×800 pixelsįull purchase or U/S upgrade. Network: Must have an enabled network adapter (wifi or ethernet) Graphics Card: NVIDIA Quadro K4000 or equivalent Processor: Intel Core 2 Duo or equivalent Follow the steps to select a color, adjust the range of color, and view the mask alpha channel or colors inside the mask. If there’s no other clip under the masked clip in the timeline, the background appears black in the viewer.Linux: CentOS 7-8, or a compatible Linux distribution on x86_64 Learn how to create a color mask to isolate or exclude a color from a video effect in Final Cut Pro for Mac. The original background is removed, and the foreground subject is isolated in front of a transparent background. Last Frame: The last frame of the clip is used. Last Frame – 1 Second: The frame 1 second before the last frame of the clip is used. In the inspector, tap next to Reference, then tap an option:įirst Frame: Final Cut Pro uses the first frame of the clip to analyze and then remove the background.įirst Frame + 1 Second: The frame 1 second after the first frame of the clip is used. If the Effects tab of the inspector isn’t already open, tap Inspect in the lower-left corner of the screen, tap at the top of the inspector, then tap Scene Removal Mask. In the inspector, tap, tap, tap Masks and Keying, then tap Scene Removal Mask. In the browser, tap the Scene Removal Mask thumbnail, then tap Apply under the browser. Tap in the toolbar, tap Effects in the browser, then tap Video (if it’s not already selected).įrom the browser, drag the Scene Removal Mask thumbnail over the selected clip in the timeline, and when the clip becomes highlighted, release your finger. In the timeline, tap the clip you want to modify, then drag the playhead over the clip (to see its image in the viewer). In Final Cut Pro for iPad, open a project.
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Use the Flow transition to merge jump cuts.Adjust depth of field in Cinematic mode clips.Adjust the focus in Cinematic mode clips.Change the focus in Cinematic mode video.Start a Final Cut Pro for iPad subscription.